New Day Rising | ||||
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Studio album by Hüsker Dü | ||||
Released | January 1985 | |||
Recorded | July 1984, Nicollet Studios, Minneapolis, MN | |||
Genre | Post-Hardcore[1] Alternative rock[1] |
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Length | 40:49 | |||
Label | SST | |||
Producer | Hüsker Dü, Spot | |||
Hüsker Dü chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Rolling Stone | [2] |
Robert Christgau | A[3] |
Piero Scaruffi | [4] |
Spin | [5] |
New Day Rising is the third studio album by the American punk rock band Hüsker Dü, released in 1985 on SST Records. Though less ambitious than prior album Zen Arcade, New Day Rising, in some ways, helped set the template for alternative rock for the next decade. Guitarist and lead singer Bob Mould's trademark miasma of fuzz distortion is still present, but with much of the harsh rawness of previous efforts abandoned in favor of a more melodic sound.
Contents |
The title track opens the album with mantra-like repetition of "new day rising," delivered with slowly-increasing levels of intensity and despair. Also present are a few of the group's most famous songs, such as "The Girl Who Lives on Heaven Hill" and "Celebrated Summer".
At the very end of "Plans I Make," there is a short in-studio conversation, most likely between Spot, Hart, and Mould, which appears to have taken place immediately after the recording for the song finished. It is almost inaudible.
Possibly Grant Hart: "What do you think, Spot?"
Possibly Spot: "I think he's going to be mad because we opened up the trashcan."
Bob Mould: "[In a mocking tone] Now the bleed came in. Who cares? Cause that's the last song on the album, it doesn't matter what it sounds like anyways. [guitar noise]"
The album is praised by many critics as the band's best album, though most give that title to Zen Arcade. New Day Rising was ranked thirteenth in Spin's "100 Greatest Albums, 1985-2005." In 2003, the album was ranked number 495 on Rolling Stone magazine's list of the 500 greatest albums of all time. The magazine also included the title track in its "100 Greatest Guitar Songs" list, ranking it at #96.[6]
All songs by Bob Mould except as indicated.
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